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Daniela Carpi – Bio

carpi

Honorary Professor of the University of Verona

Former professor of English Literature at the Department of Foreign Literatures and Languages of the University of Verona

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PUBLICATIONS

A) JOURNAL

2007- Founding of the journal Pólemos, Law Literature and Culture, at first published by Carocci, afterwards by Giappichelli and, since 2012 by DeGruyter, Berlin/Boston. The Journal is rated as A class in ANVUR classification. Prof. Carpi is the managing editor of the journal.

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B) MANAGING EDITOR OF THE FOLLOWING SERIES

Professor Carpi is the managing editor of the following series:

  1. ”Culture” for the publishing house Ombre Corte, Verona, since 2006
  2. “Agon” for the publishing house Ombre Corte, Verona, since 2008
  3. “Law and Literature” with Prof. Klaus Stierstorfer for the publishing house DeGruyter, Berlin/Boston since 2009.-.
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C) MONOGRAPHS:

  1. Sintomi di Modernità. Trasformazione di Convenzioni Drammatiche nel Teatro Rinascimentale Inglese, Bologna, Editrice Compositori, 1990.
  2. L’Ansia della Scrittura. Parola e Silenzio nella Narrativa Inglese Contemporanea, Napoli, Liguori, 1995.
  3. In Limine. Cultura ed enigma, Firenze, Alinea, 1997.
  4. Fairy Tales in the Postmodern World. No Tales for Children, Winter, Heidelberg, 2016
  5. Law and Culture in the Age of Technology, Berlin/New York, DeGruyter, 2022.

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D) EDITINGS (With a theoretical introduction and an essay):

  1. Shakespeare and the Law, Ravenna, Longo, 2003
  2. Letteratura e scienza, Bologna, Re Enzo, 2003
  3. Focus on Literature and Science, monographic issue of the journal Anglistik, n. 1, 2004, Frankfurt am Mein
  4. Property Law in Renaissance Literature, Peter Lang, Frankfurt am Main, 2005
  5. Why Plato? The Influence of Plato on Twentieth Century English Literature, Winter, Heidelberg, 2005
  6. Platone nostro contemporaneo. L’influsso di Platone sulla letteratura del ventesimo secolo, Librati, Ascoli Piceno, 2005
  7. The Concept of Equity: an Interdisciplinary Assessment, Winter, Heidelberg, 2007.
  8. Practising Equity, Addressing Law. Equity in Law and Literature, Winter, Heidelberg, 2008
  9. Editing of Pólemos, Diritto Letterature e Cultura 1/2007, “Law &”, (Introduction with Monateri e Somma)
  10. Editing of Pólemos 2/2007, “Diritto e religione” (Introduction with Monateri e Somma)
  11. Editing of Textus (Journal of AIA: Associazione nazionale di Anglistica AIA), 3/2008, “Literature and Law”, focus with Ian Ward of the University of Newcastle.
  12. Editing of Pólemos, Diritto e Cultura, 2/2008, “Diritto e corpo” focus with P.G.Monateri
  13. Editing of the MONOGRAPHIC ISSUE Symbolism, a Journal of Critical Aesthetics, on “Literature and Painting”, 2008.
  14. Editing of Pólemos, “Iconologia del diritto”, n. 2/2009.
  15. Editing of Pólemos “Il potere come fenomeno culturale”, 2/2010.
  16. Bioethics and Biolaw Through Literature, De Gruyter, Berlin/New York, 2011 
  17. Editing of the monographic issue Pólemos “Spettacolarizzazione del diritto”, 1/2011.
  18. (with Sidia Fiorato), Iconologia del Potere. Rappresentazioni della sovranità nel Rinascimento, Ombre Corte, Verona, 2011
  19. Editing of Pólemos “Legal Metaphor”, 6/1, 2012
  20.  Editing of Pólemos “Identity”, 6/2, 2012
  21. Editing of the volume Medicina e bioetica nella letteratura inglese contemporanea, Cierre Grafica, Verona, 2012.
  22. D.Carpi e Jeanne Gaakeer eds., Liminal Discourses. Subliminal Tensions in Law and Literature, Berlin/Boston, DeGruyter, 2013
  23. Editing of the monographic issue Pólemos (8/1/2014) “Law Literature and Culture”.
  24. Editing of monographic issue Pólemos (9.1.2015) “Legal Perspectives in Shakespearean Theatre” with Prof. Gaakeer.
  25. Editing of the volume Riccardo III: dal testo alla scena, Emil di Odoya, Bologna, 2016.
  26. Editing of the volume Fables of the Law, with Marett Leiboff, DeGruyter, Berlin, 2016.
  27. Editing of the volume Diaspora, Law and Literature, with Klaus Stierstorfer (University of Muenster), DeGruyter, 2017 (with introduction).
  28. With Francois Ost, editing of the volume, As You Law It. Negotiating Shakespeare, (Berlin and New York: DeGruyter, 2018)
  29. D.Carpi ed., Monsters and Monstrosity: From the Canon to the Anti-Canon. Literary and Juridical Subversions, Berlin/New York, DeGruyter, 2019.
  30. Focus of Polemos, 1.2020: “Digital Ontology and Epistemology: between Law, Literature and the Visual Arts”

  31. Focus of Polemos 1.2023 “Have We Ever Been / Will We Still Be Human? Law and Literature Faced with the Shifting Boundaries of Humanity and Technology”.

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  1. ESSAYS IN VOLUMES AND JOURNALS

  1. “Si può parlare di moralità nelle commedie di Thomas Middleton?”- Atti dell’Accademia delle Scienze dell’Istituto di Bologna, Classe di Scienze Morali, vol. LXII, 1973-74.
  2.  ” Per un’interpretazione psicanalitica di A Severed Head di Iris Murdoch”, Il Lettore di Provincia ,n.33, Luglio 1978.
  3.  “Emanuel Carnevali: un esempio di emigrazione culturale”, Convergenze III, Bologna, Tipografia Compositori, 1978.
  4.  “Darkness Visible di William Golding: una metafora della storia della salvezza”, Atti del V Convegno Nazionale dell’Associazione Italiana di Anglistica ,Bologna, Clueb, 1983.
  5.  “I romanzi di occultismo di Dennis Wheatley: tra metafisico e sociale”, Quaderni di Filologia Germanica della Facoltà di Lettere e Filosofia dell’Università di Bologna,vol. II, 1982.
  6.  “Emanuel Carnevali: an Italian Emigrant to the United States or an American Emigrant to Italy?”, In Their Own Words ,vol.II, n.I, Winter 1984.
  7.  “Golding bambino”, presentazione e traduzione del racconto di William Golding, La Scala e l’Albero , pubblicato in In Forma di Parole ,anno VI, n. IV, 1985.
  8.  “Emanuel Carnevali and Guido Gozzano: an analysis of a literary influence”, Rivista di Studi Anglo- Americani,Anno III, n.4-5, Piovan Editore, Abano Terme, 1985.
  9.  “Murder in the Cathedral e The Power and the Glory:un esempio di contaminazione letteraria”, Quaderni di Filologia Germanica della Facoltà di Lettere e Filosofia dell’Università di Bologna ,vol. IV, 1988.
  10.  “Del Sublime: studi recenti per una categoria espressiva”, Lingua e Stile ,n.4, December 1988.
  11.  “Il racconto del sogno: Bruno’s Dream di Iris Murdoch e Pincher Martin di William Golding”, Lingua e Stile ,n.3, September 1989.
  12.  “Parodia come fine dell’illusione mimetica in Mantissa di John Fowles”, Lingua e Stile, n.2, June 1990.
  13.  ” Charlotte Smith: una scrittrice impegnata nei fermenti rivoluzionari” , Lingua e Stile ,n. I, March 1992.
  14.  “Il giardino come metafora e metamorfosi in The Virgin in the Garden di A.S.Byatt”, in Raccontare i Giardini, eds. Daniela Carpi, Giovanna Franci, Giovanna Silvani, Milano, Angelo Guerini ed., 1993.
  15.  ” Doctor Faustus di Christopher Marlowe: il fascino perverso della scrittura”, Il Lettore di Provincia, December 1993.
  16.  “King John o della proliferazione della parola”, in King John, Dal Testo alla Scena, a cura di Mariangela Tempera, Clueb, Bologna, 1993.
  17.  ” Il problema dell’immaginazione artistica nella narrativa di Ivy Compton-Burnett”, Merope, January 1994
  18.  “The Magus di John Fowles da The Tempest di William Shakespeare: studio di un rapporto di filiazione” in Shakespeare e la sua eredità, atti del XV Convegno dell’Associazione Italiana di Anglistica, Zara, Parma, 1993.
  19.  “L’atto dell’interpretazione in The Merchant of Venice“, in The Merchant of Venice, dal testo alla scena, ed. Mariangela Tempera, Clueb, Bologna, 1994.
  20. 2 “Tintin in the New World: revision d’un mythe”, in Tintin, Hergé et la Belgité, ed. A.Soncini Fratta, Bologna, Clueb, 1994.
  21.  “The Taming of the Shrew:fra legge ed equità”, in The Taming of the Shrew. Dal testo alla Scena, ed. M. Tempera, Bologna, Clueb, 1997.
  22. “The Crisis of the Social Subject in the Contemporary English Novel” in European Journal of English Studies, vol. 1, n.2, 1997, pp. 65-183.
  23.  “Perchè il fantastico?” introduction and editing of: B.Stoker, Il segreto del fiorire dell’oro, Bologna, Re Enzo, 1998.
  24.  ” Literature and Painting: John Banville’s artistic trilogy”, in Englishes, n.7, 1999.
  25.  “Scrittura e realtà: cronaca di un divorzio annunciato”, I Martedì, Re Enzo, Bologna, February 1999.
  26.  “The Infernal Desire Machine of Dr Hoffmann di Angela Carter: fantasia e conoscenza”, Strumenti Critici, n.2, May 1999.
  27.  “La storia? E’ finita”, I Martedì, Re Enzo, Bologna, April 1999.
  28. “Legge e sua sovversione in Romeo and Juliet“, in Rileggere/Re-Reading Romeo and Juliet, ed. Angelo Righetti, Collana Saggi e Testi del Dipartimento di Anglistica dell’Università di Verona, 1999.
  29.  “Twentieth-century Revision of Myth: the Myths of Writing” in R.Todd and L.Flora eds., Theme Parks, Rainforests and Sprouting Wastelands. European Essays on Theory and Performance in Contemporary British Fiction, Rodopi, Amsterdam and Atlanta, 2000.
  30. “L’intramarsi della conoscenza: letteratura e cultura” in Studi di Estetica, n.23, 2001
  31.  -“Borghesi e Mercanti: la nuova società capitalistica in The Merchant of Venice” in Strumenti Critici, n.27, September 2001.
  32.  “The Thriller and Its Dissolution: the Postmodern Revision of a Literary Trend” in Textus, n. XIV, 2001.
  33.  “Hypertext and Mystery: a Re-reading of John Fowles” Anglistik, April, 2002
  34.  “Il paesaggio di morte nel teatro elisabettiano-giacobiano” Il Lettore di Provincia, September/December 2002, year XXXIII, fasc. 115, pp. 41-50
  35.  “The Best Plagiarist is the Best Poet: Ackroyd Re-reads Wilde” in G.Franci e G.Silvani eds., The Importance of Being Misunderstood, Bologna, Patron, 2003, pp. 143-153.
  36. “Hermes God of Thieves: Plagiarism in Twentieth Century Literature” in M.Billi e Nicholas Brownlees eds., In and Around the Sixties, Viterbo, Settecittà, 2003, pp. 207-218.
  37. “Validità/invalidità del contratto in Doctor Faustus di Christopher Marlowe”, in AAVV. Variis Linguis, special number of the journal Quaderni della Facoltà di Lingue e Letterature Straniere dell’Università di Verona, May 2004
  38.  “From Past to Future: the Postmodern City in Literature and Cinema”, in Constanza Del Rìo Alvaro and Luis Miguel Garcìa-Mainar eds., Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film, Winter, Heidelberg, 2004.
  39.  “Prospero’s Books and The Tempest: Science, Magic and Painting” in M. Tempera and P. Kennan, Metamorphosing Shakespeare: Mutual Illuminations of the Arts, Clueb, Bologna, 2004
  40.  “Science and Literature: the State of the Art in Contemporary Criticism”, Anglistik, 1.2004, 51-59.
  41.  “A Just and Open trial: The Trial Based on Circumstantial Evidence in The Winter’s Tale”, in M.Tempera ed., Shakespeare: The Comedies, Clueb, Bologna, 2005
  42.  “Law, Discretion, Equity in The Merchant of Venice and Measure for Measure”, Cardozo Law Review, vol. 26, May 2005, N.6
  43. “Nigel Dennis and Alfred Adler: A Study in Identity”, Symbolism, An International Annual of Critical Aesthetics, vol. 5, New York, 2005.
  44.  “Londra come architettura simbolica nei romanzi di Peter Ackroyd”, La Torre di Babele, n.3, 2005, pp. 115-129.
  45.  Introduction (and translation) of Geoffrey Hartman’s Cicatrici dello spirito, Ombre Corte, Verona, 2006.
  46.  “Crisi della concezione estetica in Otello” in a cura di G.Restivo e R.Crivelli, Inscenare/Interpretare Otello, il Rossetti, Università degli Studi di Trieste, 2006.
  47.  “Bill Manhire’s South Pacific: A Poet’s Experiment with the Short Story” in Angelo Righetti ed., Theory and Practice of the Short Story: Australia, New Zealand, the South Pacific, Università di Verona, Dipartimento di Anglistica, Saggi e Testi 2006.
  48.  “Cinema as Transfiguration: Tracy Chevalier from Painting to Narration to Cinema back to Painting” Anglistik, Heidelberg, vol 18, Issue 1, March 2007.
  49. “The Inequitable Trial in Webster’s The White Devil” in D.Carpi, The Concept of Equity, an Interdisciplinary Assessment, Winter, Heidelberg, 2007,pp. 249-258.
  50. “Equity in Classical Times”, Pólemos, 1/2008, pp.35-46
  51.  “Law and its Subversion in Romeo and Juliet” in Shakespeare and the Law, G.Watt and P. Raffield eds., Hart publishing, Oxford, 2008
  52.  “William Golding’s Lord of the Flies: The Failure of the Law”, Inter: A European Cultural Studies: Conference in Sweden 11–13 June 2007, Linköping University Electronic Press, Linköpings universitet,
  53.  “Evil and Art: the case of William Golding’s Free Fall” Pólemos, 2/2007, pp. 19-33.
  54.  “A Leap in the Dark: Füssli ReReading Shakespeare”, Symbolism, 2008, pp. 69-83
  55.  “Iconological subversion of the law in P.D. James’s A Certain Justice “ in Pólemos, “Iconologia del diritto”, 2/2009, pp.28-35.
  56.  “Faustus must «buy my service with his soul»: the immoral contract in Dr. Faustus” in Droit et Justice dans l’Europe de la Renaissance, Actes réunis par J.-P. Pittion avec la collaboration de St. Geonget, Paris, Honoré Champion Éditeur, coll. “Le savoir de Mantice”, 2009, pp.81-90.
  57.  “Introduction” to Symbolism, a Journal of Critical Aesthetics, AMS Press, New York, 2008, pp. 1-17
  58.  “Prospero’s Books by Peter Greenaway and The Tempest by William Shakespeare science, magic, and painting” In Symbolism, a Journal of Critical Aesthetics, AMS Press, New York, 2008,
  59.  “La parola iconica tra scrittura e immagine in Prospero’s Books di Peter Greenaway” in Chiara Battisti ed. , L’immagine e la parola. Percorsi tra letteratura e storia dell’arte, Ombre Corte, Verona, 2010, pp.27-37.
  60.  “William Golding’s Lord of the Flies: The Failure of the Law”, Pólemos, 1/2010, pp. 194-206.
  61.  “Power and Legitimacy in King Lear, King John, Julius Caesar”, Pólemos, 2/2010, pp.85-98
  62.  “Il potere come fenomeno culturale”, Pólemos, 2/2010, pp.VII- VIII
  63.  “The Law Firm as the House/ Home of Law in P.D.James’ A Certain Justice” in Klaus Stierstorfer ed., Constructions of Home. Interdisciplinary Studies in Architecture, Law and Literature, AMS Press, New York, 2010, pp. 23-35.
  64.  “Muriel Spark”, in M. Fazzini, C. Sassi (eds.), Quaderni del Premio Letterario Giuseppe Acerbi. Letteratura scozzese, Edizioni Fiorini, 2010, pp. 112-115
  65. “Equity: Assessing the Results of a Project”, in Law and Humanities, vol.5, issue 1, Summer 2011, 221-229
  66. “Potere e legittimità in King John, King Lear, Julius Caesar”, in D.Carpi e Sidia Fiorato (eds.), Iconologia del Potere. Rappresentazioni della sovranità nel Rinascimento, Ombre Corte, Verona, 2011, pp. 106-118.
  67.  “Introduction” to Bioethics and Biolaw through Literature, D. Carpi (ed.), Bioethics and Biolaw through Literature, De Gruyter , 2011
  68.  “The Beyond: Science and Law in “The Island of Doctor Moreau” by H. G. Wells 178-188, in D. Carpi (ed.), Bioethics and Biolaw through Literature, De Gruyter , 2011
  69.  “Introduzione” a Iconologia del Potere, D. Carpi e S. Fiorato (eds.), Iconologia del Potere. Rappresentazioni della Sovranità nel Rinascimento, 2011
  70.  “Morality Play di Barry Unsworth: la messa in scena della legge”, Fictions, 2011, pp. 65-72.
  71. “Law and Culture” Prologue to H.Porsdam and T.Elholm eds, Dialogues on Justice. European Perspectives on Law and Humanities, Berlin and Boston, DeGruyter, 2012, pp. 3-14.
  72. “Antonia Byatt’s Fairy Tales as Metaphors for the Artistic Act” in Symbolism.An International Annual of Critical Aesthetics, AMS Press, New York, 2011, Special Focus “Metaphor”, vol.11, pp. 37-50.
  73. “Legal Metaphor” focus to Pólemos, A Journal of Law, Literature and Culture, 6/1/2012, pp.1-6.
  74. “The Garden as the Law in the Renaissance: A nature metaphor in a legal setting”, Polemos, 6/1/2012, pp. 33-48
  75. “Identity” Focus to Pólemos 6/2/2012, pp. 145-149
  76. “A Biojuridical reading of Dracula”, Pólemos 6/2/2012, pp. 169-182.
  77. “Introduzione“ a D.Carpi ed., Medicina e bioetica nella letteratura inglese contemporanea, Cierre Grafica, Verona, 2012, pp.7-22.
  78. “Violazione dei diritti umani nell’epoca dell’Olocausto e del Post-Olocausto” in D.Carpi ed. Medicina e bioetica nella letteratura inglese contemporanea, Cierre Grafica, Verona, 2012, pp.165-197.
  79. “The Devil’s Law Case by John Webster: Legal Fraudulence or New Professionalism?” in L.Colombo, M.Dal Corso, R.Gorris Camos, P.Frassi, S.Genetti, P.Ligas, P.Perazzolo (eds.), La sensibilità della ragione. Studi in omaggio a Franco Piva, Fiorini, Verona, 2012, pp. 6-17.
  80. “Crime evidence: ‘Simulacres et Simulations’ Photography as Forensic evidence” in Leif. Dahlberg (ed), Visualizing Law and Authority. Essays on Legal Aesthetics, (Berlin/Boston: DeGruyter, 2012), 253-265.
  81. “Law ands…”, in Contratto e impresa E043111 – issn: 1123-5055 (operating since 1985), Cedam – Padova, 4/5, 2013, http://www.contrattoeimpresa.it/ , pp.1189-1199.
  82.  D.Carpi, “Introduction: The Sublime of Law” introduzione a D.Carpi e Jeanne Gaakeer eds., Liminal Discourses. Subliminal Tensions in Law and Literature, Berlin/Boston, DeGruyter, 2013, pp. 1-14
  83. “Renaissance into Postmodernism: Anticipations of Legal Unrest” in D.Carpi e Jeanne Gaakeer eds., Liminal Discourses. Subliminal Tensions in Law and Literature, Berlin/Boston, DeGruyter, 2013, pp.179-191
  84.  “Law and Aesthetics in Othello”, in Le Cabinet du Curieux. Culture, Savoirs, Religion de l’Antiquité à l’Ancien Régime, Mélanges en l’honneur de Jean-Paul Pittion, eds. Witold Konstanty Pietrzak and Magdalena Ko?luk, Paris, Classiques Garnier, 2013, pp.79-90. ISBN 978-2-8124-0899-1
  85.  The Gothic Picturesque Garden and the Historical Sense”, in Pólemos, 7/2, 2013, pp. 269-284.
  86. “Diritto e religione: esempi dal romanzo gotico inglese”, Cosmo, Comparative Studies in Modernism, 3/2013, pp. 31-40, ISSN 2281-6658.
  87. “Focus: Law, Literature and Popular Culture”, Pólemos, 8/1, 2014, pp. 1-9.
  88. “Violation of Human Rights in Holocaust /Post-Holocaust Era”, Pólemos, 8/1, 2014, pp175-192.
  89. “Dehumanizing the Enemy: How to Avoid Human Rights” in Ian Ward ed., Literature and Human Rights, DeGruyter, Berlin/Munich/Boston, 2015, pp, 101-112.
  90.  “Romeo and Juliet: The Importance of a Name”, Pólemos (9.1.2015), 37-50.
  91. “Law and…: A Proposal for Further Interdisciplinary Approaches”, pp.105-118, in C.Hielbaum, S.Knaller and D.Pichler, Law and Literature In-Between, (Bielefeld: Transcript Verlag, 2015).
  92. “Sacralization/de-sacralization of Caesar’s body in Shakespeare’s Julius Caesar”, Polemos 9.2.2015, pp.281-294.
  93.  “Riccardo III: rielaborazione di un trauma narcisistico”, in Riccardo III: dal testo alla scena, ed. Daniela Carpi, Emil di Odoya, Bologna, 2016, pp. 79-96.
  94. “The funeral oration over Caesar’s body: Techniques of mass communication” in Sidia Fiorato e John Drakakis eds., Performing the Renaissance Body, DeGruyter, Berlin, 2016, pp. 183-206.
  95. “The language of Clothing and the law”, in Polemos, 1/ 2016 (Focus: “Law, Fashion and Identity”), pp.143-156.
  96.  Introduzione a Fables of the Law, D. Carpi and Marett Leiboff eds, DeGruyter, Berlin and Boston, 2016
  97. “Fables of the Holocaust: Hansel and Gretel” in D. Carpi and Marett Leiboff eds, Fables of the Law, DeGruyter, Berlin and Boston, 2016
  98. “Jodi Picoult’s My Sister’s Keeper: new definitions of human dignity in novel and film”, pp.411-429, Polemos 10.2, 2016.
  99.  “Cultural Mobility and Diaspora. The Case of Philip Roth’s Operation Shylock”, pp.187-204, in D.Carpi and K.Stierstorfer eds, Diaspora, Law and Literature, DeGruyter, 2017.
  100. “Contracts in literature: from Doctor Faustus to vampires” in Piergiuseppe Monateri ed. Comparative Contract Law, Edward Elgar, 2017, pp. 322-360.
  101.  “How to Enforce the Law: Video-Shocks for Road Security”, Pòlemos, 1/2017, pp. 267-274.
  102. “Performing Crime as Catharsis: Julius Caesar in a High Security Jail”, Anglistik, 28/2/2017, pp.139-146.
  103. “King John or the Proliferation of the Word of Authority”, pp.27-39, in D.Carpi and F.Ost eds, As You Law It. Negotiating Shakespeare, (Berlin and New York: DeGruyter, 2018)
  104. “The Devil’s Law Case by John Webster”: Legal Fraudulence or New Professionalism?” in Anamorphosis, Revista Internacional de Direito e Literatura, vol 4, n.2, julho-dezembro 2018, pp. 345-356.
  105. “Pubblicità: cibo come fiaba” in Cibo come cultura, a cura di Linda Avesani, Chiara Battisti, Sidia Fiorato, Giovanna Felis, Aracne editrice, Verona, 2018, pp.185-197
  106. “The Trial in John Webster’s The White Devil: Italy in the Reenactment of a Renaissance English Drama”, Forum Italicum, Sage journals online, 16 February 2019, pp.1-12. (permanent link: https://doi.org/10.1177/0014585819831646 )
  107.  Daniela Carpi, “Property and Contracts in English Renaissance Theatre” in Benjamin Verheye (ed.), Geletterd Recht. Een Ontdekking Van De Wereld Van Recht En Literatuur, Brugge: Die Kleure Professional Publishing, 2019, pp.57-79.
  108. “The technological “monstrum”: Her by Spike Jontze (2013)”, in D.Carpi ed., Monsters and Monstrosity: From the Canon to the Anti-Canon. Literary and Juridical Subversions, Berlin/New York, DeGruyter, 2019, pp. 77-90.
  109. “The Water Babies by Charles Kingsley: Metamorphosis of the Fairy Tale from a Traditional Patriarchal Perspective to Ecocriticism in Media Studies”, in Renzo D’Agnillo e Anna Enrichetta Soccio eds, Metamorfosi Vittoriane. Riscritture, riedizioni, traduzioni,transcodificazioni, Solfanelli, Chieti, 2020, pp. 83-94.
  110. “Questioni legali in Romeo e Giulietta”, in Mariacristina Cavecchi, Lisa Mazoni, Margaret Rose, Giuseppe Scutellà eds, SheKspir al BeKKa. Romeo Montecchi diero le sbarre dell’Istituto Penale Minorile Becca, Edizioni Clichy, Firenze, 2020, pp. 81-91.
  111.  “The Island Metaphor in Literature and Law”, in Polemos, 2/2020, pp. 225-236.

  112. “The Cyborg. Symbol of the Evolution of the Human, or the Human of the Future”, in Symbolism. An International Annual of Critical Aesthetics, Vol. 20, 2020, pp.191-204.

  113. “Postumanesimo: la mostruosità dell’Intelligenza Artificiale”, Studi di Estetica, “Sensibilia 14: Cose mostruose”, (Milano: Mimesis, 2021), pp.55-68.

  114. “Frankenstein: personalità legale del mostro”, in Caro mostro. Duecento anni di Frankenstein (a cura di Nicola Pasqualicchio), ed. Fiorini, Verona, 2022, pp. 373-386, ISBN 9788896419625

F) TRANSLATIONS

  1. (with Chiara Battisti) Geoffrey Hartman, Cicatrici dello spirito. Lotta contro l’inautenticità, Verona, Ombre Corte, 2006. (translation and introduction)

  2. — John Maynard Keynes, Trattato sulla probabilità, Bologna, Clueb, 1994

  3. – Hayden White, Storia e narrazione, editing of a collection of essays with a critical introduction, Ravenna, Longo, 1999.

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SCIENTIFIC COMMITTEES:

Professor Carpi is a member of the scientific committee of the following journals and series:
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  1. Journal Anglistik, published by the University of Heidelberg.
  2. Journal Symbolism, published by AMS Press, New York.
  3. Journal La Torre di Babele, published by the University of Parma.
  4. Journal Law and Humanities, published by the University of Warwick, Routledge publishing.
  5. Cardozo Law Journal (University of Trento)
  6. Cosmo, Comparative Studies in Modernism (University of Torino)
  7. Since 2015 – Member of the scientific board of the Series “Law and Humanities” published by Edinburgh University Press
  8. Since 2016 – Member of the scientific board of the Series “Shakespeare dal testo alla scena”, for the publishing house Emil di Odoya of Bologna.
  9. Member of the scientific board of the Centre for Cultural Studies of the University of Graz (2015)
  10. Member of the Advisory Board of the Collaborative Research Centre 1385, Muenster: Law and Literature (since 2019)

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AWARDS

  • Elected Member of Academia Europaea (since July 2014)
  • 2018- Nominated Adjunct Professor at Southern Cross University, Australia
  • 7 February 2020, Nominated Honorary Professor of the University of Verona.

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MEMBERSHIPS

  • AIA Associazione Italiana di Anglistica
  • ESSE European Society for the Study of English
  • IASEMS Italian Association for Shakespeare and Early Modern Studies
  • AIDEL Associazione Italiana di Diritto e Letteratura
  • Member of Villa Vigoni, Italo-German cultural centre of excellency
  • Member of Academia Europaea (since July 2014)
  • Member of the scientific board of the Centre for Cultural Studies of the University of Graz


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Constitution Act

Go to the AIDEL consitution act to know more about the association, its aims and founders
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Scientific Board

Prof. Avv. Cristina Costantini

Prof. Matteo Niccolini

Prof. Paola Carbone

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Reports of the AIDEL annual conferences

Minutes of the AIDEL annual meeting